Oren Klaff shared an hour of his day with me recently as a guest on my radio show. You can listen to our conversation at this link.
Oren pitches deals for a living. And judging from his success, he pitches them very well. As Director of Capital Markets for investment bank Intersection Capital, he is responsible for managing their capital raising platform with both direct capital raising and deal syndication. Oren oversees business and product development and is responsible for the firm’s flagship product, Velocity. He has been a principal at Geyser Holdings since 2006. During the previous five years, Oren supervised and assisted in the placement of over $400 million of investor capital.
He also has written one of the better books on pitching, selling, presenting I have read. Pitch Anything: An Innovative Method for Pitching, Presenting and Winning the Deal is the work of one who loves his work, has achieved outstanding results with his work, and desires to share how he works, how he achieves his success, with others.
Look at our economy. We need to be able Pitch Anything.
Oren. Thanks for being on the show. Thanks for writing a great book.
Yeah. I will take that appreciation seriously because that is a long, hard, road to get a piece of work like this done.
When did you start writing it?
Well, I mean, started writing early 2009. I mean coming out of the private equity business out of 2008-2009 basically our business was dead. So, you know you had a bunch of dealmakers sitting around with no deals to do.
And I spoke at a conference and some people came by and said:
“That material is about pitching. That material is fantastic.”
And they took it to McGraw-Hill who said:
“Hey. Would you write a book about it, the method that you use?”
And we said:
“No. We’re not interested in doing that.”
But then we didn’t have anything to do for 2 years. It’s like you’re the center of a football team and no one is playing center.
It was something that came about during the downturn and private equity was at the center of the downturn; we just didn’t have any work.
My larger point is, you know, if the downturn hadn’t of happened this method would never have come to light. We’re way too busy; we’re way too busy again. I mean, if you asked me to write a second book today it would not happen.
So, the only way this method could come to the market is because there was that space in the downturn where private equity guys could relax and do something more creative and fun.
Your book's cover has some very powerful testimonials. Which one was your favorite or had the most meaning?
I think, the first one from Joe Sullivan.
Joe Sullivan’s a guy who took Flextronics to a billion dollars. And then it was sold. And the new owners, the private equity guys, drove it into the ground. And Joe came back in and built the company back up to its original size.
That’s a guy who’s done it twice at the highest levels of Silicon Valley. So, for him to say something like that? It’s not trite. It’s not some friend I can call in a favor.
So, when Joe says “Fast, fun and immensely practical” he means it. This guy does not say anything without reason.
Going back to those testimonials they all appear to be from executives from the VC or equity investing group or have been funded from them. A casual browser might think it's only for them. But it's not is it? it's for anyone pitching an idea for someone's investment of previous capital whether it's financial, emotional, intellectual.
You know, that’s the interesting thing. When I turned the first chapter in to my agent and McGraw-Hill and the publishing industry everybody went nuts.
“Holy smoke. This is not a finance book. My sister can use this; she’s trying to get a job. My mom can use this; she’s trying to refinance her house.”
Everybody started sending around this first chapter. The Navy Seals called us when they read it. We went all the way from venture capital to Navy Seals to people’s moms.
And so, it is humanistic; it’s built around the experiences we had in finance. But this is something that everybody can use in their every day lives. That was very interesting to discover that.
When you were writing...describe the reader you had in mind in those 2 years where you know you had not a lot to do but you had to have a person in mind because it’s so personal and as you say humanistic.
So. The person I had in mind was the entrepreneur, the small business person, the dealmaker who is not so much in a corporate safety environment; someone who lives and dies by the sword.
It’s the difference between selling and pitching. The book is not called “Sell Anything”.
In fact, in venture capital we don’t get the chance to sell anything. Everyday we walk into a boardroom and stare at 3-4-5-6 guys who are looking abck at us with some sour faces and we have about 20 minutes to ...show them and get them compelled about the deal.
What’s the difference between selling and pitching? When we leave that room it’s a yes or no.
When you sell, you can build a relationship. If you sell paper, right? And the customer says:
“Ahhh. We’re not ready to order a couple of pallets this month. Call us in 6 months.”
You know, when you go int a bank for a $20 million equity loan or an investment they never say:
“We kinda like that. Why don’t you come back in 6 months...we’ll see what you have.”
It’s always do or die.
I wrote the book for people who go into these do or die situations where it’s binary. You either win the deal, get the job, convince the other person of your point of view or you don’t.
My friend, Erika Andersen, coined a great phrase in her book Being Strategic. The phrase is reasonable aspiration or hoped-for future. And the question is:
What is your reasonable aspiration or hoped-for future.
What was yours? What was your reasonable aspiration or hoped-for future with writing this book?
So, in the world we’re in, we have a fund. We go out and raise money for projects. We’ll put, let’s say it’s a $30 million project. We’ll put 2 in. And we’ll go out and raise the other money. So, we’re both investors and capital raisers on every deal.
We look at deals every day. For me, the art form of pitching deals has got to come up. To me, it’s embarrassing the way deals get pitched to us.
I just want the art form of being able to pitch a deal to generally rise up to the market.
I think people are, and no disrespect to the people intended, but people are still in the Anthony Robbins - Zig Ziglar - Tom Hopkins and you can still see those books. Those methods are really from the ’80’s and early ’90’s. And everyone is aware of them and they’re not effective today.
The art form of pitching has got to come up and improve.
Looking at our economy, I would have to agree.
Numbers and metrics are a key part of your day and are part of the analyst frame you describe in your book. What metrics will you use to measure your progress towards reaching that hoped-for future with this book?
So, I think that’s pretty easy. I would say, out of every day I help small companies. And every day I spend an hour or an hour and a half helping small companies because I believe in this material and it changes immediately how these guys approach the capital raising and pitching business.
So, out of every 10 guys I talk to, today I would say half of them come back to me and say, and I have at this point hundreds of these emails:
“Oren, this method changed how we approached our customers, our lenders and investors. Thank you.”
Now, if that rate continues and grows, so out of every 10 companies I talk to, 5 or 6 come back and say:
“This completely changed the way we approach our customer and investor facing business.”
That’s how I measure how I’m doing.
You write a lot in your book about the three parts of the brain, particularly the amygdala. Very clear, very concise.
But at the same time that description brought to my mind the scene from Abbott and Costello called Who's on First? Except here it's Who's running our show?
Which part of the brain is running the show for the audience of a pitch?
I’m going to try not to get technical here. I want to give a little background here. What I did was and I’m not a neuroscientist here, but because we had this incredibly powerful experiences and you’re walking in and pitching these deals for $100 million dollars, $200 million dollars, at the highest seats of power in Washington D.C. and Silicon Valley and LA and New York.
I went and sat down with a cognitive psychologist at UCSB, Nicholas Kristenfeld ...and I said:
“Hey. These are the experiences I’m having in the board room. Tell me what’s happening inside my head and inside the heads of the other people in the room.”
And he said:
“Look. Oren. The guy across from you, you think you’re talking to his brain. His brain is made up of 3 pieces.
" There’s the neo-cortex. And that’s what everybody thinks is the mind. The neocortex is the linguistic, smart, problem-solving, capable, thoughtful, mathematical part that gets you up in the morning and let’s yo make coffee and drive your car and go to work and interact with people and get home safe. That’s what the neocortext does. It’s incredible.
" But there’s other parts.
" The 2nd part is a little bit more fundamental. It’s the social part of the brain. And that figures out that the dad is the most important figure and that’s the CEO. I have to be nice to the manger above me. I have some ownership of the employees. They can tell them what to do. Understanding these very large social environments.
" And then below that piece is the crocodile brain. That is the part that keeps you alive. If your crocodile brain is injured, you can’t make fundamental decisions about safety."
So, the discovery we had was when you pitch, you give a pitch or you want to pitch something, that comes from the smart part of your brain. That’s the neocortex.
But, it’s not like an Excel file and they open it up in Excel. When you pitch from your neocortex, it goes straight to the other person’s crocodile brain. And the crocodile brand takes information in very, very, differently. It only cares about safety. It only thinks:
And that’s what you’re dealing with your message. It has to get past these very blunt filters.
And, beyond that, if you can get past the Should I eat it?/Should I mate with it? /Should I kill it? screen then it’s the Is it safe/Have I seen this before/Could I guess what it is? filter.
So, you’re entire idea, your business plan, your financing, your proposal to get a job...anything gets whittle down to the other guy thinking:
- How can I get rid of this?
So, the reaction in the brain of the other person to whatever you have boils down to
How can I get rid of this?
That’s what the method is: not assuming you are communicating to a logical thoughtful linguistic problem-solving person but to the safety part of the person who’s thinking:
“How can I get rid of you?”
And that’s what the method is really built to do. Get past the initial filter that governs every first interaction:
“How can I get rid of you?”
That’s the fundamental thing that we learned from the cognitive guys. And once we incorporated that into our business then things became much easier in our business life.
Oren, as I hear you describe it, and you describe it so clearly, I’m thinking a lot of entrepreneurs are pitching to VCs who they assume are very analytically minded.
But they are more crocodile-brained. That’s because they have so many deals coming across their desk that they are really looking for ways to get rid of this presentation and go on to the other 100 deals waiting for their attention.
Let me be super-clear about the basic principles of pitching to any private equity, a bank, venture capital...I’m not sure that this is in the book, so you get this kinda fresh material. When you are pitching me or any investor capital, what’s racing through the mind of this safety dialogue is:
“What is this like that I have seen before.”
The second the investor goes:
Oh, I know what this is like. This is like x-y-z deal but with a little bit of top spin but with pink hue...”
then he’s done it.
We’re pattern makers as humans. There’s all sorts of examples and maybe we can do it at a different time. But take it at face value. As humans, we are pattern-makers and we seek out patterns. Rats, for example, are so much smarter than us. As humans we look to find patterns when there aren’t ones. Rats don’t look for food; they just try to get the food quickly.
When humans face problems of what’s the right button to get to the food, the rats do it 100 times faster. They are not pattern seekers; we are.
The private investor, banker, venture capitalist, sitting in front of you...his neocortex is racing to find a pattern. And once he finds it...Boom! He checks out and he’s gone.
So, if you look like something he’s already seen, if you sound like 3 other deals, and your whole experience is not differentiated and keeps his mind on its toes then you’re done.
I sit on the investment committee at a hedge fund. I sit on the investment committee at a private equity group. This happens to me. It’s not that venture capitalist are machiavellian or they all think this way. Human beings are pattern makers and if you look like an established pattern...you are gone.
One of my favorite parts of your book was your Framing techniques and the need to control the frame of the pitch. I think that’s what we’re leading into here with the discussion of the three areas of the brain.
What is framing and why does someone making a pitch need to control it?
Sure. So, I think the experts at framing and the really easiest thing for people to access are the Republicans. Democrats tend to not be very good at framing information and ideas.
The Democrats, their general view is give the people the information and the people are smart enough to organize the information and see how valuable it is.
The republicans don’t leave it up to the people to interpret it and they put a frame around it to interpret it for them. So you’ll see terms like “collateral damage” and “Friendly fire”, things related to them. Every Republican program has a name in which they’ve framed it. And then these frames become strong and they become very difficult to break.
A frame is a perspective on a social interaction. In every social interaction and every business interaction two people come together and the frame is their perspective, their belief, their values and the data. It’s all kinda boiled into the frame.
What’s interesting is no conversation, two frames do not exist in the same social interaction. When two perspectives come together, one is always stronger and it absorbs and breaks apart the other. Eventually there will be one governing frame for a social interaction.
I’ll give you a very simplistic situation. If you have a 3-year old who comes to you 20 minutes before dinner and says:
“I want ice cream.”
Your frame is:
“No. No. It’s dinner time. We are um, you have to wait. You can have ice cream after dinner.”
And so you have the frame of “it’s not the right thing to do”.
But the 3 year old has the “I want ice cream” frame.
And in almost every case I’ve ever seen, that’s the stronger frame and it wins. The stronger frame wins every social interaction.
We’ve been investigating the strength of our frames. And we realized the stronger the frame the stronger the more likely the other person’s facts and arguments will bounce off of our frame and our frame will be the governing point of view for the interaction.
This is very powerful stuff. And people come back after reading the book and say:
“Framing, understanding how to frame social interactions has been the biggest change in my life. And now I frame everything in my life.”
There’s lots of free stuff on the website. McGraw Hill complains that I don’t market this book at all. But if anybody wants to see the world in a different way then got to the website and look up the piece we have on framing.
I have your book open sitting beside me. I’m thinking there is so much more I would love to ask. The website is Pitch Anything. I encourage everyone to get the book, make some successful pitches and be successful.
You have a six step process to correctly frame a pitch. The steps spell the acronym STRONG. Tell us about STRONG.
The website is Pitch Anything Dot net.
The STRONG method is humanistic. It doesn’t tie down to the old Anthony Robbins Step, Step 2, Step 3. But it’s a nice way to remember the most important elements of the method.
So, STRONG number one is:
Setting the frame. If you go in to a presentation with a weak frame you will be absorbed. They will control the social interaction. So, very quickly how do you know if you are controlling the frame. If you are reacting, to the other person. If you are reacting to the other person, they are controlling the frame. If they are reacting to you, what you say, how you are, then you control the frame.
If you want to learn about who’s controlling the frame, then look at who’s reacting to who?
That’s the essence of Setting the frame.
T is Telling the Story. I’ll touch on this quickly. What we see way too often in pitches is guys putting on slide decks. And going through it methodically. The Problem. The Solution. The Market. The Value Proposition. The Management Team. The IP. TheSize of the investment, the ideal customer. They go through it sequentially. That’s not a story. That’s an information dump. And we hate to get that.
What is driving the narrative of this deal? Get OUT of this going through the sequential of the slides. There’s a very powerful way to help people put together the narrative.
R is for Reviewing the Intrigue. Most of the time, 9 out of 10 times when guys come to pitch us and within 30 seconds they have told the whole story with no narrative arc. Once we know it, we can make a decision. So, literally we can make our minds up in the first minute. So, there’s gotta be some intrigue in this so you gotta hold back. You can’t dump everything in the first minute. So leave some intrigue in there.
O is Offering the Prize. This is really important to me. Most of the time people go into a pitch and they view the money or the deal or the job as the prize. Forget about that. YOU are the prize. There’s so much money out there. Money is a commodity. Money is the ultimate commodity. It’s more of a commodity than rice or oil or gold. You can get money anywhere. If you have a deal, there’s a 100,000 investors right now near the west coast of California who will look at the deal. Money is the commodity and you are the prize.
So, Prizing is incredibly important.
Nailing the Hook Point. We discovered in every deal there is this hook point where you, the investor or the person you’re pitching ...their body language capitulates. And they say:
“ You know what? I like this thing.”
And, at that point you can stop pitching and you can start calibrating and just talking to them without the pitch. Once you reach the hook point you need to spend some time with them as individuals talking about the deal. And you’re no longer pitching.
So, feeling when you’ve reached the hook point and you actually feel it if you look for it is important.
And then the funny thing is G, Getting to the Decision. We have almost no closing techniques. We are the worst closers. My basic closing technique is:
“So, uh, you send us the paperwork or we’ll send it to you? Just try and call.”
Zig Ziglar would fall out of his chair. Tom Hopkins would say:
“It’s not possible to close with that.”
Anthony Robbins would say:
“You’ll never make a dollar with that kind of close.”
When we get to the close there’s nothing to do. When you do the rest of the, when you set the frame, give a narrative, hold the intrigue, keep your self as the prize and look for the hook point there is no closing to do. Because at that point you can basically use the time constraint and leave.
Most of the time our closes are we just leave the room and mumble something.
You list 4 frames a pitch is built around. Which one is the most powerful? Why?
For me, and everyone is going to be different, for me the intrigue frame is the most powerful.
Human intrigue is the most powerful connective element. And we always try to leave something unknown but interesting. And that will always keep someone in the deal.
Your ability, every pitch and every deal encounters the analyst frame. We want more information. If you’ve ever encountered a venture capitalist it’s always:
“Hey, We like your deal. But could you run some financial metrics on the competition and the landscape and the market growth.”
And we call that:
“Great. You gotta go fetch a red rock.”
And you go off and run this analysis. And you bring it back and they say:
“Oh. This is fantastic! We’re just looking for a deep dive on your technology and if you could run some metrics on how your IP competes in the marketplace.”
Great. Now we’re fetching a blue rock.
You always will encounter the analytical, we-want-more-information, framework. And the best way to get past it is with intrigue. And the intrigue way to me is extremely powerful.
I think that the moral frame can beat the intrigue frame. But it’s more tricky to use. If you want a nice easy useful everyday-use frame, it’s the intrigue frame. Create some unknown and only reveal parts of it along the way.
Why is that so powerful in overcoming the VC’s crocodile brain and work overload and get out of this meeting? How is the intrigue frame able to overcome all of that?
So, what happens is I told you before:
“VCs are human pattern makers. “
And if you highlight a huge missing piece of data that they believe will solve the pattern then they will chase it.
Let’s bring it down to specifics. If you show a revenue pro forma, how what you project customers will buy and you say:
“Oh and by the way, we have a customer that we haven’t shown here that is a Fortune 40 company that themselves can increasae revenues 35% and we’re inking that deal now.”
That investor cannot evaluate that deal until he knows that information. So, now that sets the intrigue hook. Fortune 40? Who is it? Is it Pepsi? Is it Coke? Wal-Mart, BestBuy?
- What’s the nature of the contract?
- Is this contract something I as an investor will make this deal really amazing for me?
So, until I’ve solved that intrigue, that piece of intrigue, I as an investor don’t want to make that decision about the deal.
So, now you’re under the intrigue umbrella and you can continue to push your deal for as long as you can under this intrigue umbrella. You can’t hold it open forever. But it’s very useful for keep moving it forward.
The 2nd thing is someone who’s being analytical about your deal is going to give up their analytical inquisition in order to figure out who’s this big customer and what’s this big piece of business. That’s the juicy part of the deal I want to get to.
Hopefully that will give you the sense of power the intrigue frame can give you in that situation.
You’ve spoken about three frames: Moral, Intrigue, Analytical. What’s the fourth frame?
So, we talked about power frames.
And everybody has encountered the power frame coming at you. That is somebody coming at you from the other side of the room. That’s a big guy, usually a government official, the CEO or general manager and he’s used to having all the power. And people acquiesce to him and do his bidding. And when he snaps his finger or barks an order then everyone jumps. That’s the power frame.
These other frames, the morality frame or the intrigue frame are needed to overcome it. If you don’t have, if you can’t reframe the power frame into something different, it is very difficult to live under. And we’ve all had it coming at us. Guys or gals who are bulls in a China shop and they blow everything out of their way.
Give you an example. If you have ever been in a courtroom for a traffic ticket you know the judge has a power frame. You can barely open your mouth. You’ve got to process a $400 fine and get out the door. And all your schemes for explaining it are gone. It’s insurmountable.
But in social environments when those power frames come at you without the law behind it or the political power behind it then you can deal with it? You deploy a moral frame or an intrigue frame. Or you deploy a different kind of power frame quite easily.
What are the signs a pitch's frame is on a collision course?
Are there tell-tale signs?
I would go back to this. Every social interaction is on a collision course. If you are going to give a presentation and in my world its for money. but everybody pitches for something. It could be for a job or family vacation. These are binary decisions. Whenever you go into a boardroom or meeting or social interaction two frames collide. Count on it.
Every interaction involves a collision of frames. The power frame meets the analyst frame. We give a list of these 4 or 5 basic frames. But every social interaction involves the collision of two frames and the stronger frame always wins.
Let me reframe the question. How will they know when their frame is collapsing?
When you are reacting to the other person, scrambling to come up with another answer, nervous, flushed. And they’re asking you questions and you feel a need to justify yourself. You are colliding and they are winning.
So, that’s when you want to come in with another frame, reframe and you’ll literally feel it. They’ll start answering to you. They’ll start explaining to you why and how and when they do things. That’s when have taken back ownership of the frame.
I had this assumption, maybe incorrect I see now, that when an audience starts asking for details...it's a sign of engagement, of excitement. And in that incorrect assumption, answering their questions...would feed their excitement.
But you say something different.
So. This is something I’m very sensitive to. For me, detailed questions in a, now look all this material is about the first 20 minutes or 30 minutes of a social interaction. I’m all about creating the wanting of a the deal. Right?
At some point you have to give people information. At some point you have to answer questions, provide due diligence. I mean no deal is going to happen without lots and lots of due diligence.
But none of that will happen until somebody wants the deal. All this material is about creating the wanting of the deal.
When people are asking detailed questions of me, it’s not a sign of engagement. I know guys who can do that in their sleep. Powering through, asking detailed questions, it’s a way to get through and all these questions are almost automatic.
Questions, to me, are not a sign of engagement.
I’ll tell you whenever I get these detailed questions, I think that one potential way to deal with it is to say:
“Obviously, in order to decide on this deal, in order to decide on hiring me, in order to decide on this issue, you’re gonna need all these details.
" But there’s no point in investigating these details until we decide do you like me and do you like this deal. And we haven’t got there yet.
" Assume for a minute all the details are in place, we’ve got binder, we did not come here to pitch this because we forgot to take care of these things. It’s all in the deal binder. If you want to blow this out and do due diligence, no problem. But before we do this, let’s decide do we like each other. Does this basic deal make sense for you. Let’s invest our time figuring out the important things. And then once we’ve got that done, we’ll do due diligence and answer questions until we’re blue in the face.”
What I do think shows engagement, the hook point, are not the questions but the really insightful statements. Not analytical questions. Thoughtful, deep, connected questions about the business.
So, if we’re pitching a software company, if somebody says to us:
“What version of sequel server does the system run on and how many engineers do you have working on development? “
To me that’s analytical fishing. And I don’t feel like I’ve got engagement.
Where I know I would be close to a hook point or engagement if they said:
“Hey, you know, we have another company and we’ve faced some issues with the cost of engineers.
We’re wondering if you’re experiencing higher costs and with those costs do you know where you’re going to get additional engineers from? that’s something we’ve seen before in other deals.”
That’s a thoughtful related to the deal, non-investigative question. You’re really trying to puzzle out some deal elements.
And, when people ask multi-threaded questions like that we know they are engaged and interested in it.
Beautiful. What is a wanting evaluation and why does it have to rest in the old part of our brain?
Look. To me, other than frames and prizes, this is probably the most important concept in business today. You cannot have somebody go for your deal, invest in your deal, hire you, buy your product, until they want it.
So, I believe everything you’re doing in these social and business interactions is to create wanting. Nobody marries someone, nobody buys a car, people don’t take a job because they like it or need it. They take it because they want it.
Until you create wanting you have nothing. If you say:
“Hey, Oren. What’s this 50,000 foot view on this whole method?
It’s create wanting. Until you have wanting it’s all going to be detailed, analytical, disconnected, argumentation, confrontation. You got to create wanting.
Nobody does anything because they like it; they do it because they want it.
Another great answer. Thank you!
You tell some great stories in your book. I read a lot of books with or without this show. Very few of them make me smile resonate in one of my brains the way yours does.
One of my favorite stories was the story of Mother Teresa and the doctors at Scripps Clinic in LaJolla, California. Can we take a minute and run through it here?
Yeah. I mean in some ways it is the centerpiece of the book and I’d love to have people to experience the writing of it. Right?
The basic premise of it is Mother Theresa was checked into a hospital here in LaJolla. Scripps Clinic. Some years ago for a treatment.
And what happens is when a celebrity comes the doctors are used to having all the social power when anyone comes into the hospital. They own the frame. When you go see the doctor and he says “Stand up” then you stand up. He says “Cough”, you cough. He says "Take your clothes off", you take your close off. He says “Bend over turn around”...he says “Bend over turn around” and you do it. Is there anyone anywhere where you’ll do it? No. The doctor’s frame is so strong it’s almost unbreakable.
But when Mother Theresa checked in none of this stuff works on her; these power frames of the doctors.
The only way they could impress her was to give to a charity she had opened up. She put a sign up by her desk and it filled up with...these physicians are busy. She had a signup list by her desk and it turned out the only way they could have any impact on her was to sign up for her charity.
And, so we kinda call that the Mother Theresa frame. I encourage anyone who has the chance to check it out. It’s about a 4-minute read.
I’ll jump in with my own endorsement. I was reading the book preparing for the show. I was liking everything I was reading. And I got that part of the book and I thought Where are we going with this Oren. I realized it’s such a crisp, clear, as you say heart of the book, I encourage everyone to read it.
What's the number one behavior for killing deals?
To me. To me, and I’ve looked at this and I’ve been in hundreds of deals, the absolute death knell to doing a deal is needing us. When you behave needy it triggers fear in the other person’s crocodile brain.
Just think about it as basic humans. We all dropped out of the trees into the African savannah. And ran through the grass 8-12 miles a day trying to find something to eat. Shivering at night. Everything was about survival.
And so, when another person came to you and they were needy and they were not part of your social group and there was not enough resources to go around then they immediately created fear.
Neediness is a display that the other person is going to need to take care of you. And it generates an immediate reaction of fear. In some ways, it’s the restaurant principle. If a restaurant’s parking lot is busy and you’re looking in the window and people are laughing and it’s full...you get a sense that that’s a safe place for other people to go in because other people are using it.
When you go by a restaurant that is empty and there are only 2 people in it and not much going on...that’s a sign of neediness. They need business and you’re worried to go in there.
I put it that way because you internalize the feeling of that empty restaurant and they say
“Yeah, I am afraid to go in there.”
When people see a needy entrepreneur:
- we need this money
- we need this deal
- we don’t have any other options
- we’ll stay as long as you need us to
- if you need us to fetch another rock
- we’ll fetch another rock
- oh, Mr. Investment Banker, we’ll run the numbers; we have plenty of time.
That strikes fear.
For me the number on thing is if you can eradicate fear then you are on your way to getting these deals done.
You write that reality isn’t waiting to be discovered; it’s waiting to be framed. That’s such an interesting twist to give power back to the individual.
Why is that important to understand for those preparing a pitch?
Yeah, I think in the same way you can ask the question:
“What is a narrative arc?”
Right? I’ll explain what I mean. When people come to pitch us they dump the information on us. And really, we have to frame and understand what’s really going on.
So, they’ll say:
- Here’s the product.
- Here’s the solution.
- Here’s the problem.
- Here’s the market.
- Here’s the competition.
- Here’s who we are with our revenues.
- Here’s our costs.
- Here’s out customer acquisition cycle.
- Here’s how we market.
But what is that? That’s delivering the pieces of the frog. It doesn’t give us a frog.
We need to know what is the living, what’s the narrative arc. What’s happening in the market. How does it all tie together. You can’t just deliver the information to them and expect them to frame it for you.
You need to frame it yourself.
People come to us and say:
“Aw, I framed this up.”
And I say:
“ Really? I think you should take a 2nd look.”
Cause I see a lot of deals. And one after another they come and dump the data on us and leave it to us to assemble a narrative arc or a storyline.
Give the storyline.
The magic is that everybody could do this if given enough time. The magic is give the information underneath the pitch, the business or the idea, and also the narrative arc or the story in about 20 minutes.
That’s where it gets hard.
We've reached the imagination moment in the show. This may be an awkward moment as we talked in depth about the hard realities presenting, persuading and winning the deal. Still, let's imagine President Obama has called your offices. Your assistant waves at you now, mouthing the words It's President Obama. She's nodding vigorously, too.
You graciously end this interview, pick the up the phone and say Mr. President.
And Mr. President say:
Oren. I love your method. I've read your book. It's excellent. I think our economy reflects our national inability to win the deal.
Do you have some time to come to the White House? Talk with me and Joe Biden about three things we can do to rebuild our nation's ability to win the deal.
What would those three things be?
Yeah.
Number one for me: Prizing. The United States of America is the most technically advanced, has the highest moral authority...has the entertainment industry that drives the entire world... the financial markets that drive the entire world, the internet infrastructure and innovation that drives the entire world. Silicon Valley.
We need to recognize that. There are some things, we are a massive country, 300 million people. We do most things very very well. We need to prize ourselves well.
And we give too much credit to the things we do wrong or slip through the cracks.
We need to get back to framing ourselves and prizing ourselves as number one in the world because we are.
I don’t think we have to be judicious in the way we describe ourselves to the rest of the world. You know, fair and balanced kinda point of view. We really are the dominant nation on earth. I say ‘dominant’ not in the most forceful but in the way we do things.
I think we need to begin talking about ourselves, prizing ourselves more than we do.
The second thing? The Democrats need to look at how the GOP is so good at framing issues. And begin building frames that can stand up to the Republican’s frame.
The third thing is use our moral authority right. We have Harvard University. We have Silicon Valley. We have Hollywood. There are some things we don’t do right. Abu Ghraib and things we screw up. But in the international conversations and our own internal conversations around the world recognize that we have the moral authority.
When you have the moral authority frame, it’s the highest position. I think Obama and our government and us as a nation need to recognize really how high our standards are.
I’m not a political guy. You could come in and say “Norway” or “Switzerland”...does things better than us. But, they have no scale. We’re 300 million people. We have the highest moral standards in the world for something that has that scale.
We have the ability to use the moral frame more often than we do.
That’s excellent! I ask this question from nearly every guest. These are excellent points! Thank you so much.
You're a leader. Jim Rohn says Leaders are readers. What are you reading with all free time?
It may be cliche’ but I have 2 books that kinda never leave my desk. One is my own book...I’m just kidding.
Jeffrey Moore’s Crossing the Chasm. I read and I re-read.
Michael Porter’s book on Competitive Advantage. I read and re-read.
And in some ways that question is
“Hey. What’s all the new stuff coming out.”
The new stuff to me...you know there hasn’t been any investment since 2008 - 2010 by the publishers in really good writing. I know the publishers. They’re going with known names who have existing platforms. It’s kinda like saying X-man 2-3-4-5. There hasn’t been an investment in great new writer. So, you’re not seeing a ton of great new stuff coming out.
There’s one third book I would add to that. And it’s not new either. Joseph M. Williams wrote a book called Style: Towards Clarity and Grace. If you write or need to communicate, that’s just a great book.
Those are the things I’m reading now.
Fantastic. I thought you might say you weren’t one of those people who read a lot. But I can tell you’re a discerning reader.
Thank you.
Where can our listeners follow you on the web, social media?
Pitch Anything, there’s a lot of material there for free. As I said before my publisher gets mad. I’m not promotional. When I go to speak I don’t bring boxes of books, we don’t sell them, we don’t have a DVD. And I have a day-job. I’m not going out on speaking tours. I speak maybe once a month. I’m at Google speaking in their author’s program in two weeks. And that’s my July presentation.
Go to the website. There’s a lot of material that supports the conversation we’ve been having today. And I want people to have that.
So, at Pitch Anything you can see a lot of this stuff. And if you go to Intersection Capital you can see examples of this work in action. When you combine these two things you go:
“ Wow. Now I see some powerful things happening!”
You can understand both the method conceptually and see it in action. So Pitch Anything and Intersection Capital.
Fantastic!
Again, I hope everybody goes to Pitch Anything and downloads that free material. It’s fabulous!
Thanks for writing a great book and taking the time for the show.
You’re welcome. Thanks for a great show and great questions.